This is how I would wrap up the TWO WEEKS NOTICE trilogy:
2 WEEKS 2 NOTICE: Sandra Bullock is in a zany but horrifying accident and has to have experimental surgery that leaves her essentially just a head. As she recovers, she slowly realizes Hugh Grant has tricked her into working for him again. Can she escape his employ for a second time? Without the use of her body? Meanwhile, the snakes that live inside of Hugh Grant and operate him like a human skin puppet aren’t getting along. Can they put their differences aside long enough to save their business? Directed by Jennifer Lynch (Boxing Helena).
2WN: TOKYO DRIFT: Hugh Grant is kidnapped by a rival corporation while doing business in Japan. Sandra Bullock gets a second experimental surgery to become a car in order to rescue him. Can she do it before the kidnapper’s two week deadline is up? Bullock shines in a performance where she mostly communicates to the audience in honks and flashing headlights.
TWO WEEKS NOTICE ORIGINS: (ROBERT KLEIN’S CHARACTER’S NAME): In an experimental mix of documentary and narrative film, Robert Klein is horrified to discover those 200 HBO specials he’s done were actually televised.